The Cycle of Vengeance in Aeschylus’s Oresteia Essay -- Oresteia Essay

The Cycle of Vengeance in Aeschyluss OresteiaThe cyclic thread of retaliation runs like wild fire through the three plays in Aeschyluss Oresteia. This thread, with its complexity of contemporary and universal implications lends itself quite well to in fact, almost necessitates deeply interested study. While a brief summary of the Oresteia allow for inevitably disregard some if not much of the trilogys fondness and intent, on the positive side it will establish a program of characters, events, and motives with which this paper is primarily concerned. As such, I begin with a briefly overview of the Oresteia and the relevant history that immediately precedes it.The house of Atreus is cursed, it would seem, with the perpetual cycle of vengeance, the lawfulness of an eye for an eye. The curse originated with Tantalus, who angered the gods by feasting them on the anatomy of his own son, Pelops. Pelops was restored by the gods and effected the birth of two sons, Thyestes and Atr eus. Thyestes angered his blood brother by seducing his wife and challenging his claim to the throne. Consequently, Thyestes was banished from the kingdom, only to be summoned concealment by Atreus in false friendliness. Atreus, in the mode of his grandfather, feasted the unknowing Thyestes on small bits of Thyestes own children. Upon discovery of his doing, the distraught Thyestes fled into exile with his only remain son, Aegisthus. The Agamemnon picks up with Agamemnon and Menelaus, sons to Atreus, who joined together in the war of Troy aft(prenominal) Paris, son of Priam, seduced Helen, wife to Menelaus. Angered by his ruthless man-sacrifices in the war, Artemis required that Agamemnon take the life of his daughter Iphigeneia in order to save the array and fleet o... ...y disposition one who questions, one who hesitates, one who considers his own actions from a variety of perspectives. This, by far, appears to be both the simplest and most sound argument. As Oe dipuss persistent pursuit of truth and constantly questioning temperament made him a hero in Sophocles Oedipus, so did the similar nature of Orestes in the Oresteia.Works CitedAeschylus. The Oresteia. Aeschylus The Oresteia. Tran. Robert Fagles. New York Penguin Books, 1979. 99-277.Aristotle. Poetics. Tran. Gerald F. Else. Ann Arbor Ann Arbor Paperbacks, 1986.Finley, John H. jr. Pindar and Aeschylus. Cambridge Harvard UP, 1955.---. Four Stages of Greek Thought. Stanford Stanford UP, 1966.Pollitt, J. J. Art and Experience in Classical Greece. capital of the United Kingdom Cambridge UP, 1979.Taplin, Oliver. Greek Tragedy in Action. London Routledge, 1993.